عرض حي في مسرح ميوز

The trio backing her on this record is ridiculously tight — Gonzalo Teppa's bass on the slower tracks kept catching my ear. You can tell it was cut live in a small room, which is exactly what I want from a jazz vocal album.

Louisa Amend's voice sits so naturally in the mix that I forget there's a band behind her until Teppa's bass walks in. Braxton Kahn's drum work on the up-tempo cuts is worth the price alone. Been on repeat in my car all week.

Louisa Amend's voice on this live set is warm and unhurried, and the trio behind her never overplays a moment. Braxton Kahn's drumming on the mid-tempo tunes keeps things swinging without stepping on her phrasing.