發燒大師 第一卷

I've been digging through high-res recordings lately, and the clarity from this Sonoma DSD capture is unreal—the mastering by Gus S really lets the instruments breathe.

The Sonoma DSD recording gives the strings this airy texture I didn't expect from a compilation. Played it back to back on my setup and the dynamics never felt compressed or harsh, even at higher volume.

The DSD mastering really shows on the quiet passages, you can hear the room around the instruments instead of a flat wall of sound. I've played this through twice now and keep catching little details I missed the first time.