漢普登廳現場演出

The tone on this recording is so warm and clean that it almost sounds like she's playing in my living room. Ana Vidović's fingerpicking on the faster passages is incredibly precise without feeling mechanical. Easily the best classical guitar album I've picked up this year.

I've been waiting for this one and the wait was worth it. Her right-hand technique on the faster passages is just ridiculous, so clean.

The tone on these nylon strings is so warm it almost sounds like a different instrument than the steel-string stuff I usually listen to. Track three alone was worth the wait, and you can hear every shift of her right hand.